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Maximilien Luce, the instinct for landscape

Maximilien Luce - Publisher Musée de Montmartre / El viso - Ouvrage relié - 192 pages - Text in Bilingue Français / English - Published in 2025

Pioneer of Neo-Impressionism and a cornerstone of anarchist and libertarian circles, Maximilien Luce (1858–1941) left a lasting mark on his time through his profound artistic and political commitments.

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Model 9788412949407
Artist Maximilien Luce
Author Jeanne Paquet, Alice S. Légé
Publisher Musée de Montmartre / El viso
Format Ouvrage relié
Number of pages 192
Language Bilingue Français / English
Dimensions 290 x 230
Published 2025
Museum Musée de Montmartre , Paris

Exhibition Catalogue Maximilien Luce, the instinct for landscape, presented at the musée de Montmartre, Paris (21 march - 14 september 2025).

As a painter of urban and rural landscapes and the human condition, he captured the social and industrial transformations of his era.

Beyond the humanistic quality that gives heart to his work and defines it as a whole, landscape is the other dominant theme that animates his painting throughout his life.

Luce captures light and color, revealing the beauty of landscapes with a unique sensitivity.

This exhibition, the first Parisian retrospective dedicated to Luce since 1983, highlights the artist’s work, aiming to reaffirm his significance and introduce his often-overlooked work to the general public

Maximilien Luce belonged to this pivotal generation, which experienced both the splendor of the Belle Epoque and social unrest, benefiting from numerous technical advances and suffering just as much at the time of the First World War. Deeply marked by the Paris Commune, which he witnessed as a young man when he was 13, Luce fought three wars and many social battles (against child prisons and colonization, in favor of workers' strikes, for Dreyfus, etc.).

Above all, Luce's rich historical period corresponded to a fantastic artistic ferment. The Luce comet joined the neo-Impressionist constellation formed by Georges Seurat, Paul Signac, Camille Pissarro and Henri-Edmond Cross at his first exhibition, at the Société des Artistes Indépendants in 1887. From then on, he took part in the post-impressionist adventure and contributed to the defense of artistic freedom, first as a member, then as vice-president and president of this society.

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