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Vicky Colombet paints almost the way one might cultivate soil. Her paintings, which could be called landscapes even though they remain resolutely abstract, are made of folds in which light nestles, between burrowing and effulgence. A fold is created, a fold opens, so that something can emerge.
Parler de généalogie, c'est toujours questionner cette notion du devenir qui lie de l'intérieur le corps propre et l'histoire, individuelle ou collective.