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Cette première rétrospective globale des paysages de Vincent van Gogh présente 70 tableaux de toutes les périodes créatrices de l’artiste.
L'ouvrage regroupe pour la première fois l'ensemble des BMW conçues ou peintes par des artistes et retrace un chapitre passionnant de l'histoire de l'automobile, du design et de l'art.
C'est seulement au début du XXe siècle qu'apparurent en Europe les premiers rapports concernant la culture et l'architecture des Dogon, population de l'ouest africain.
De Caspar David Friedrich à Otto Runge, d'Arnold Böcklin à Ludwig Richter, les artistes allemands brossent un portrait de lEurope en douze étapes géographiques, des mythes du Nord aux montagnes suisses et autrichiennes, en passant par lItalie.
Exhibition at the Fondation Beyeler, KANDINSKY, MARC & DER BLAUE REITER SEPTEMBER 4, 2016 – JANUARY 22, 2017.
American artist Jean-Michel Basquiat (1960–1988) quickly became one of art history’s most luminescent personalities; his friendships with Andy Warhol, Keith Haring, and Madonna, as well as his tragic death at the age of twenty-seven, are the stuff of legend.
Phantoms, skulls, skeletons and other macabre figures populate the paintings, drawings and prints of James Ensor. His works are bizarre, ironic, occasionally belligerent and provocative, but always buoyed by a keen sense of humor, and his nightmarish motifs reveal the absurd and grotesque about everyday life.
Le catalogue de la grande exposition anniversaire qui célébrait les 10 années d’existence du Musée et les 60 ans de la Galerie Beyeler, rassemble un choix remarquable de chefs-d’œuvre de l’art moderne qui ont depuis longtemps rejoint les cimaises de collections publiques et privées.
Heinrich Kühn (1866 - 1944) était une des personnalités essentielles et fondatrices de la photographie d'art internationale vers 1900.
Guido Remi (1575–1642) was the star painter of the Italian Baroque and one of Europe’s most successful artists in his lifetime, widely sought after by prominent patrons.
He was one of the last great court artists and at the same time a significant trailblazer for modern art: Francisco de Goya. The Fondation Beyeler is presenting one of the most extensive exhibitions of his work outside of Spain.
La Fondation Beyeler consacre à Francisco de Goya (1746–1828) l’une des expositions les plus importantes à ce jour (10 octobre 2021 - 23 janvier 2022).
In the final years of his life, the style of the celebrated Swiss artist Ferdinand Hodler (1853–1918) took a crucial turn, resulting in some of his most significant and moving masterpieces.
This volume presents a general selection of over forty paintings by El Greco from the most famous museums around the world. At the same time, the young artists’ exploration of the paintings and visual spheres of the exceptional Spanish painter are discussed, opening up a fascinating view of the battle for Modernism.
This fabulous celebration of light and color illustrates the artistic development of the great French painter from Impressionism to his late work, in the years between 1880 and the beginning of the 20th century.
For this catalogue and the exhibition it accompanies, the Fondation Beyeler has gathered an extraordinary selection of Bonnard's paintings from institutions and private collections around the world, compiling an ideal introduction to Bonnard's life-affirming vision.
Le musée d'Orsay propose de découvrir les multiples déclinaisons du romantisme noir, de Goya et Füssli jusqu'à Max Ernst et aux films expressionnistes des années 1920, à travers une sélection de 200 oeuvres comprenant peinture, arts graphiques, sculpture et oeuvres cinématographiques.
Perhaps the greatest painter of water there has ever been, the German Renaissance artist Konrad Witz (c. 1400-c. 1446), was a contemporary of Jan Van Eyck and Uccello, and shared their fervor for perspective, bringing similarly magical dimensionality to his treatment of surface without aspiring to their extremes of realism.
Considéré comme l'un des artistes les plus emblématiques du génie finlandais au tournant des XIXe et XXe siècle, Akseli Gallen-Kallela n'a jamais fait l'objet d'une exposition monographique en France.