Online Art Bookstore
Cart
0
Product
Products
(empty)
No products
Free shipping!
Shipping
0,00 €
Total
Product successfully added to your shopping cart
Quantity
Total
There are 0 items in your cart. There is 1 item in your cart.
Total products
(tax incl.)
Total shipping TTC
Free shipping!
Total
(tax incl.)
Our webstore uses cookies to offer a better user experience and we consider that you are accepting their use if you keep browsing the website.
20th Century Drawing & Engraving
- New Art Books
- Exhibition catalogue
- Highlights
- Art Book Sale
- Museum's Shop & Gifts
- Bilingual art books and foreign editions
- Children's Books
- Art History
- Painting
- Architecture
- Sculpture
- Drawing & Engraving
- Photography
- Contemporary art
- Decorative Arts & Design
- Art Techniques
- Critics
- Entertainment art books
- Civilisations
- Partners Reviews
Sale
Art Spiegelman, Co-mix a Retrospective (bilingual French / English)
Art Spiegelman
-
Publisher
Flammarion
-
Ouvrage relié
-
101
pages -
Text in
Français/Anglais
- Published in 04/04/2012
Art Spiegelman is a rare, radical artist with an evolving, protean graphic style. His images reveal a mastery of composition and, through the variety of his projects, a sense of staging and storytelling that make the most of the comics medium.
Shipped within 3 to 6 days
| Model | 9782081281493 |
| Artist | Art Spiegelman |
| Publisher | Flammarion |
| Format | Ouvrage relié |
| Number of pages | 101 |
| Language | Français/Anglais |
| Dimensions | 335 x 230 |
| Published | 04/04/2012 |
| Weight | 1.028 |
Published to coincide with the exhibition at the Centre Pompidou, Paris in 2012, Art Spiegelman's seminal monograph is reissued and updated.
Original plates are reproduced, reflecting the various stages of production, as well as a host of drawings and the most spectacular of his magazine covers.
An introduction by Jim Hoberman links Spiegelman's work to the history of the 20th century, and to the history of comics.
As an art historian, Robert Storr examines the conditions of publication of Maus, its satirical and protean character within Spiegelman's work, and puts it into perspective with the fascination for horror of post-war artists. He also offers a formal analysis, focusing in particular on Spiegelman's fidelity to the comic-book genre, between fiction and non-fiction.
> Book preview
> Exhibition details
Original plates are reproduced, reflecting the various stages of production, as well as a host of drawings and the most spectacular of his magazine covers.
An introduction by Jim Hoberman links Spiegelman's work to the history of the 20th century, and to the history of comics.
As an art historian, Robert Storr examines the conditions of publication of Maus, its satirical and protean character within Spiegelman's work, and puts it into perspective with the fascination for horror of post-war artists. He also offers a formal analysis, focusing in particular on Spiegelman's fidelity to the comic-book genre, between fiction and non-fiction.
> Book preview
> Exhibition details
Recently viewed items
